Author Torrey Peters’ mind has imagined everything from a future virus that turns everyone trans to a crossdressing fetishist in a poreless silicone suit, but the premise of her new novel, Stag Dance, sounded too bizarre even for her. “If I hadn’t read it in a book I wouldn’t have believed it,” she told me during a lengthy conversation about her life and work. “It’s so over the top. It’s literally an upside down triangle. That’s a little too on the nose.”
The triangle Peters refers to is one that is made out of fabric, and that loggers in the early part of the last century used to affix to their crotches in order to denote that they had changed their sex to female for the purposes of dances held deep in the wilderness. This is a fact that Peters uncovered while reading original texts about logging culture while developing the unique lexicon that she employs to write the titular novel. One of these “stag dances” forms the basis of Peters’ story, a remarkable feat of high modernism that channels the ethos of Cormac McCarthy’s Blood Meridian into the story of a lumberjack experiencing a remarkable gender transition.
