What constitutes a literature of Israel? Is it the holy triumvirate of Amos Oz, AB Yehoshua and David Grossman? I don’t really think so. Is it the poetry of Chaim Nachman Bialik? Maybe. Or could it be the marginal pamphlets and pocket books of long-forgotten Zionist romance and pulp Hebrew detectives, where David Tidhar – no relation – reigned supreme? Is it the westerns, horror novels and softcore porn by such delightfully named authors as “Mike Longshott” and “Kim Rockman”, that one can still find on dusty shelves or in the Jaffa flea market from time to time?
Maybe. They seem to me more honest, in their way.