Tom Cruise looks set to reprise his role as Pete “Maverick” Mitchell in a third Top Gun movie.
The 61-year-old action star first played the character in 1986’s Top Gun and returned in 2022 for Top Gun: Maverick, which was a massively successful box office hit grossing $1.496bn worldwide.
Now, Puck reports that Paramount has commissioned Top Gun: Maverick screenwriter Ehren Kruger to start work on a third instalment in the franchise.
Additionally, sources told The Hollywood Reporter that the studio also plans for director Joseph Kosinski to return and for Cruise to reunite with his co-stars Glen Powell and Miles Teller.
While it’s no surprise that Paramount would look to repeat the success of Top Gun: Maverick, the news has caused some eyebrows to be raised in Hollywood as Cruise recently signed a new deal with rival studio Warner Bros.
Cruise will develop and star in films for Warner Bros, but the contract is non-exclusive so the star can continue working on Top Gun 3 at Paramount.
Tom Cruise in ‘Top Gun: Maverick’— (Paramount Pictures)
As well as being a commercial hit, Top Gun: Maverick was also nominated for Best Picture at last year’s Oscars.
“I’m really encouraged by that,” said the legendary ET director. “[But] it came late for the film that should have been nominated a number of years ago, Christopher Nolan’s The Dark Knight.
“That movie would have definitely garnered a Best Picture Nomination today, so having these two blockbusters solidly presented on the top 10 list is something we should all be celebrating.”
In her four-star review of Top Gun: Maverick for The Independent, film critic Clarisse Loughrey wrote: “The film is a true legacy sequel. In the tradition of Star Wars: The Force Awakens, it’s a carefully reconstructed clone of its predecessor, tooled not only to reflect changing tastes and attitudes, but the ascendancy of its star Tom Cruise to a level of fame that borders on the mythological. Do we still think of Cruise as a man these days, or as an idea?”
She added: “But Top Gun: Maverick really isn’t packed with the kind of craven nostalgia that we’re used to these days. It’s smarter, subtler, and wholly more humanistic.”
