A familiar sub-genre of time travel movies often involves characters traveling into the past to reconnect with a deceased loved one. In the film 'The Greatest Hits,' writer and director Ned Benson puts a musical spin on this concept. The story follows Harriet, who was involved in a fatal car crash that claimed the life of her boyfriend, Max, two years prior. Harriet finds solace in listening to music they shared, which transports her back to their shared memories.
Harriet's nightly ritual involves listening to LPs in search of a way to alter the past and save Max. The film skillfully combines elements of time travel, grief, and music, with a soundtrack featuring contemporary pop hits. The performances by the cast are solid, although the chemistry between characters is inconsistent.
The lead actors, Lucy Boynton and David Corenswet, deliver compelling portrayals of Harriet and Max, respectively. Boynton's portrayal of Harriet's grief and longing is particularly poignant, while Corenswet embodies the charming persona of Max in Harriet's memories.
The character of David, played by Justin H. Min, introduces a fresh dynamic to the story. Unlike Max, David is portrayed as quiet and tentative, adding depth to his interactions with Harriet. The film explores themes of grief and loss through the characters' emotional journeys.
Benson's meticulous direction is evident in the film's production design and cinematography, creating a visually immersive experience. The eclectic music selection enhances the storytelling, with memorable moments set to iconic songs that underscore pivotal scenes.
While 'The Greatest Hits' presents an intriguing premise and strong performances, it falls short of delivering a truly impactful narrative. The film's reliance on familiar tropes and predictable plot points detracts from its potential to resonate deeply with audiences.
In conclusion, 'The Greatest Hits' is a well-crafted film that offers moments of charm and emotion but ultimately lacks the depth to transcend its genre conventions. Despite its visual and auditory appeal, the film struggles to break free from its formulaic approach, leaving viewers wanting more from its promising premise.