At the height of her music career in the early 1980s, Lesley Woods got accustomed to dealing with irate men. As the singer and guitarist of Au Pairs, the Birmingham post-punk four-piece, she recalls “guys being aggressive purely because you were a woman on stage”. At one show, the band were on the bill with UB40 and the Angelic Upstarts, only the latter didn’t turn up. “So the audience, who were 95% skinheads, were gobbing at us and throwing anything they could get their hands on – which included a bin.” Was she scared? “No, I was bolshie back then. I just went to the front of the stage and said: ‘You missed.’”
After the band split in 1983, Woods hoped her days of dealing with overt misogyny were behind her. But then she retrained and became a lawyer. “When I came to the bar [in the 1990s], women couldn’t even wear trousers. I used to get men saying: ‘What colour knickers are you wearing today, Lesley?’ It’s better now, but back then law was way worse than music in how it treated women.”
