When a lot of things go wrong in a film, it is hard to pin it down to one or two factors. But a few things do stick out sorely, like the scene transitions in Riyas Shereef’s Thundu. Some transitions are so illogical that there is even a song which starts out on a sad philosophical note, with a policeman wallowing in misery, which then transitions two minutes later into a party song with all the fellow policemen dancing their heart out, for no reason at all.
At other places, sequences are cut abruptly with even the background score coming to a jarring halt and shifting to the next cue. Speaking of helpful background cues, there is no dearth of such nudges to give us a clue about what we are supposed to feel in each scene. If not for these helpful musical cues, we might find it hard to recognise some of the supposedly humourous tracks in this movie. The makers should also have considered adding some canned laughter, like they do with some television shows, because the audience were really struggling to laugh.
Thundu is built on a very thin premise, of a policeman taking a leaf out of his son’s book and resorting to cheating in a promotion examination. Constable Baby (Biju Menon), who has served long years in the police force, wants to move up so that he no longer has to bear slights from some of his superiors. But, this doesn’t go as he planned, and he lands in one trouble after another, everything from road accidents to the suspected pregnancy of a police dog, all of which are supposed to be funny.
