In early August, Yard Act were at Stansted airport, waiting for a flight to Sicily, when singer James Smith hit a wall. “It felt as if I was in a cattle shed,” he says. “I was banging my head against the table saying: ‘I can’t do this any more.’”
Since the Leeds post-punk band released their debut album, The Overload, in January, their touring schedule had been relentless. Critical acclaim and a Mercury nomination had only amplified the pressure – bigger bookings kept coming, and the band was determined to play them all. “That weekend we were playing a castle with The Flaming Lips,” Smith says. “It was a dream come true. You feel ungrateful saying you can’t do it.”
