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Louder
Louder
Entertainment
Stephen Hill

This is Hardcore: these dark depictions of the damaging, corrosive effects of fame illustrate why Pulp bailed on Britpop

Pulp - This Is Hardcore album artwork

It remains one of music's great ironies that Pulp spent the best part of two decades trying to become a massive, crossover, guitar pop band, and when that finally happened, they realised they hated it and almost immediately did their very best to retreat.

In 1998 they released an album of sombre, baroque pop with no obvious singles which disappeared from sales charts worldwide almost as soon as it entered them. Yet, seen as a failure by many at the time, 25 years on, This Is Hardcore may actually be Pulp's most respected record.

Formed in 1978 in Sheffield by a teenage Jarvis Cocker, but really finding their identity in the early to mid 80’s when keyboardist Candida Doyle, guitarist Russell Senior, drummer Nick Banks and bassist Steve Mackey were added to the lineup, Pulp spent the majority of their first decade in existence as an underground indie pop band with a small cult following.

By the time the 90’s rolled around, no one really could have expected much more than the meagre chart placings and occasional Mercury Prize or NME Award nomination that the band were achieving. The quality of 1994’s His ‘n’ Hers, with magnificent singles Babies and Do You Remember the First Time, was sky-high and yet Pulp remained nearly men (and woman).

Then Common People happened.

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