Naked performers covered in paint roll around atop dirt and foliage. Menacing sculptures hang from the ceiling and walls. The costumes have a beastly quality. At one point, a stream of feathers are strewn across the stage; at another, pink petals float down from above. This is Trance, an immersive psychedelic experience inspired by an eclectic mix of influences from electronic music and rave culture to Buddhism, cartoons and Japanese Butoh dance theatre.
When 39-year-old Chinese artist and director Tianzhuo Chen first had the idea for Trance in 2019, it was to accompany a solo exhibition of his work at M Woods Museum in Beijing. The initial result was a three-day performance with each fraction spanning 12 continuous hours. It has since been whittled down to a single 12-hour-long production. This month, the show is on in London as part of the Southbank Centre’s ESEA Encounters, a series celebrating east and south-east Asian arts and culture.
