In the renowned Holocaust documentary, Shoah (1985), former SS guard Franz Suchomel sings a song prisoners had to perform in the Treblinka death camp in Nazi-occupied Poland. After finishing the last line, he chillingly asks the director, Claude Lanzmann: “Satisfied? That’s unique. No Jew knows that today!”
More than 30 years before, in 1945, Yehuda Eismann, a Holocaust survivor, published a little collection of songs, conveyed to him by Jewish refugees passing through Bucharest in Romania. He called it Mima’amakim: folkslider fun lagers un getos in poyln 1939-1944 (Out of the Depths: Folks Songs from the Camps and Ghettos of Poland, 1939-1944).