When American interior designer Sally Wilkinson relocated to the UK several years ago, she already had a strong foundation in classical design principles. However, it was her time working in London – first with Salvesen Graham, then at the helm of her own U.S. studio – that truly shaped her aesthetic.
‘There can be a tendency in the U.S. to favor schematic, structured schemes,’ she says. ‘Here, I learned that embracing a slight sense of imbalance makes for more interesting, dynamic design. There’s no fun in everything looking perfect.’
