Hollywood loves a comeback story, especially when it allows them to embrace someone they've cruelly cast aside, and this awards season it's all about Brendan Fraser – beloved 90s star of The Mummy and George of the Jungle, pre-eminent himbo, and all-round nice guy who's gone from discarded has-been to frontrunner for the best actor Oscar.
Dwarfed by elaborate prosthetics that transform the one-time hunk into a morbidly obese 600-pound man, Fraser is Charlie, the reclusive English professor at the centre of The Whale, the latest film – some might suspect provocation – from Darren Aronofsky, the American director behind Black Swan, Mother! and Requiem for a Dream.
Aronofsky is rarely boring – or at the very least, he's never afraid to court ridicule – and The Whale's opening sequence does not disappoint.