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The Guardian - UK
The Guardian - UK
Lifestyle
Laura Cumming

The Weight of Words review – fascinating, curious and occasionally bewildering

the words negro sun lower case in yellow-white neon, titled Warm Broad Glow, 2005, by Glenn Ligon at the henry moore institute in leeds
Warm Broad Glow, 2005 by Glenn Ligon, ‘eclipses the racism’ of a line of Gertrude Stein’s. Photograph: Courtesy of the artist and Hauser & Wirth

There is a beautiful work in The Weight of Words, a show about the overlap between poetry and sculpture, that consists entirely of a single noun printed in grey on a page. “Stilllife” is the word – every letter, except for the first and the last, running together in a fence of shadowy verticals.

It alludes to the art of still life painting, of course, where drooping flowers are supposed to double as memento mori. But more than that, it speaks of life stilled to the point of death. The ashen colour is nearly fading away, and turns out to be the grey of something less vital than paint. Czech artist Pavel Büchler made this work in 2017 using only dust. A tiny filament stands just proud of the surface, turning the work into sculpture.

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