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The Guardian - UK
The Guardian - UK
Entertainment
Susannah Clapp

The week in theatre: Alterations; A Knock on the Roof review – material worlds

Cherrelle Skeete as Darlene Holt, and in yellow bold patterened shirt and orange wide-collared cardigan is held by Arinzé Kene's Walker Holt against a backdrop of clothing rails in Alterations.
‘Soaked in sadness, growing in resolve’: Cherrelle Skeete (front), with Arinzé Kene, in Alterations. Photograph: Marc Brenner

Let’s hear it for costume designers. The temptation for a reviewer has always been to regard their work as primarily decorative, not informative; seldom mentioned unless the stage is crammed with silken flounces. An old journalist friend told me that in the 50s, Queen magazine reviews had a formula: the cast was “beautifully gowned”. Imagine getting away with a description of an actor which said only that she spoke very nicely.

Yet costumes can tell the story of a play as surely as the dialogue. Never more so than in Alterations, the 1978 play by Michael Abbensetts, who came to Britain from Guyana in 1963, had his first play directed at the Royal Court by Stephen Frears, and was the first black British author commissioned to write a TV drama series in the UK: Empire Road ran on BBC Two from 1978 to 1979.

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