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The Guardian - UK
The Guardian - UK
Entertainment
Stephen Pritchard

The week in classical: BBC Proms week one review – hallelujahs all round

Isata Kanneh-Mason performs Clara Schumann’s Piano Concerto in A minor with the BBC Symphony Orchestra at the First Night of the Proms.
‘Real authority’: Isata Kanneh-Mason performs Clara Schumann’s Piano Concerto in A minor with the BBC Symphony Orchestra at the First Night of the Proms. Photograph: Chris Christodoulou

What a difference an election can make. There’s a new atmosphere at the BBC Proms this year, one of tentative hope and, yes, relief. With divisive culture wars over and the licence fee declared safe, hearts must have been lighter in the BBC Symphony Orchestra and Chorus on the first night. Joining them were the BBC Singers, the ensemble with most to celebrate after their threatened demise last year became such a symbol of the previous government’s belligerent hostility towards the arts in the UK.

No wonder Bruckner’s great shout of “Hallelujah!” in his setting of Psalm 150 came over in Prom 1 with such force, conductor Elim Chan pumping up the volume to maximum. But this served only as a prelude to the great surprise of the evening, Ben Nobuto’s Hallelujah Sim, a hugely entertaining “step-by-step tutorial” for choir and orchestra, structured like a video game and given its premiere, ironically, on the day that Microsoft systems were crashing all around the world.

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