The artists Bobby MacBryde and Robert Colquhoun first met in 1933 as talented young students at the Glasgow School of Art. From that moment on, these two working-class men from Ayrshire lived, worked and loved together at a time when homosexuality was still illegal. Moving to London, they found fame in the art world, where they were nicknamed MacBraque and McPicasso. Against a backdrop of war, they drank, partied, were photographed by Vogue and spent more money than they earned.
In his fictionalised biography, Damian Barr charts the relationship of this largely forgotten pair, which spanned 26 years, drawing on what is known about their lives and work, and using creative licence to fill in the gaps. We first meet them as students lying on a hillside above Glasgow, “curled like commas, naked in the nest they’ve rolled in the high golden grass”. The pair lodge in the attic of a wealthy widow, where they subsist on stew and form a protective barrier around themselves. They are, observes Barr, “as careful as scared people should be”.
