“What’s the difference between love and obsession?”
So croons Archie Madekwe’s glamorous pop star Oliver, sung with a dead-eyed stoicism as he stares directly at the camera — demanding the answer from his fans, the industry, or maybe us, the audience. It’s the hypnotic chorus to Oliver’s synth-y chillwave song, but it also might as well be the blaring thesis to Lurker, the razor-sharp new psychological thriller from Beef writer Alex Russell.
