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The Conversation
The Conversation
Jue Liang, Assistant Professor of Religious Studies, Case Western Reserve University

‘The Tibetan Book of the Dead’ is actually not just about death

Tibetan fabric painting from the 17th or 18th century depicting a Bardo Cycle deity, representing transitional states between death and rebirth in Tibetan Buddhist belief. Dea/ V. Pirozzi/DeAgostini via Getty Images

You’ve seen it in bookstores – the metallic turquoise spine peeking out from the shelf under “Eastern Religions.” Or, perhaps, another of its more understated editions rendered in muted tones. It is “The Tibetan Book of the Dead,” arguably the most well-known Tibetan Buddhist text outside Tibet.

It was first translated by American anthropologist Walter Evans-Wentz in 1927. The book’s philosophy of death and rebirth as spiritual practice was adapted in 1964 by Timothy Leary, the founder of psychedelic studies, to guide psychedelic experiences. Actor Richard Gere narrated the audio version of the book in 2008, helping introduce it to a broad audience.

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