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The Independent UK
The Independent UK
Entertainment
Clarisse Loughrey

The thrillingly diabolical Bring Her Back sees Sally Hawkins weaponise her perceived niceness

Bring Her Back is just as catchy and exclamatory a title as Danny and Michael Philippou’s 2022 horror hit Talk to Me. So, you might be here expecting something with a similarly bold, crowd-baiting sense of glee. But where their debut – A24’s highest-grossing horror – was all squelchy, Evil Dead-esque gore with a few ideas about grief and trauma sprinkled in for the sake of respectability, their follow-up is a self-described sister film that feels almost its tonal opposite.

It’d be wrong to say that Bring Her Back is necessarily more mature, since somebody does something with a kitchen knife that’s so diabolical you can practically hear the YouTubers-turned-directors cackling somewhere behind the camera. And it’s just as sticky and visceral as Talk to Me. But while their first film was mean-spirited like a hell-born prank, this feels mean-spirited like a ruthless therapist tearing your psyche out chunk by chunk.

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