The Texas Chain Saw Massacre is a product of a unique time in American filmmaking, when independent exploitation films were nastier than ever, and equally capable of piercing the mainstream consciousness.
Tobe Hooper’s 1974 film arrived in a recently transformed exhibition landscape. The 1967 outcry over onscreen violence in Bonnie and Clyde marked the end of Hollywood’s Motion Picture Production Code and the introduction of film ratings.
Films like Easy Rider (1969) elevated the standing of formerly disreputable exploitation fare within Hollywood. By 1973, The Exorcist was packing out cinemas and producing lines around city blocks with the promise of the most unremitting horror film yet made.
