
The first work I saw by the Australian photo-media artist Anne Zahalka was her regendered version of Tom Roberts’ A Break Away! (1891). In Zahalka’s 1985 rendering, the heroic rider has been given a plait.
It was part of her series The Landscape Re‑presented, where the young artist had used photomontage to change heroic images of Australian art into a gender-inclusive multicultural Australia.