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The Guardian - UK
The Guardian - UK
Entertainment
Angus Macqueen

The Story of Russia by Orlando Figes review – Vladimir Putin and the power of myth-making

The last tsar of Russia, Nicholas II, with his wife, Alexandra, and their son, Alexei, in 1913.
The last tsar of Russia, Nicholas II, with his wife, Alexandra, and their son, Alexei, in 1913. Photograph: Photo 12/Universal Images Group/Getty Images

Every nation has its founding myths and narratives, usually starring historical figures we know almost nothing about; absurd stories even to the schoolchildren to whom they are usually peddled. Think Alfred and the cakes or Robert the Bruce and his study of spiders. For Russia, it has long been Grand Prince Vladimir, who had 800 concubines and wives before choosing Christ over Muhammad at the end of the first millennium for the very Russian reason that Islam did not permit alcohol. In truth, Vladimir (or Volodymyr to the Ukrainians) is a classic founding figure, now a saint, about whom almost nothing is known. Yet according to President Putin, unveiling a monstrous statue to him in 2016, he “gathered and defended Russia’s lands… by founding a strong, united and centralised state”.

As Orlando Figes’s new history methodically lays bare, this is both myth-making of the first order and of profound importance to understanding Russia today. From Ivan to Peter, Catherine to Nicholas, Russia’s rulers have reforged these myths to suit their own purposes, sometimes as a defensive standard for the people to rally round, sometimes as a badge of celestial honour to cement Moscow’s place as the saviour of the west. Often both at once.

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