From the opening moments of the new Disney+ series The Stolen Girl, you could be forgiven for thinking that you’ve happened upon a Scandi-noir crime drama.
From the air, we follow a dark Volvo estate driving a dusty road through a tree-lined mountainous landscape. The palette is cool and desaturated, the music underpinned by a distorted electronic buzz. After the sound of a zip, light picks out the face of a child who seems to have been transported in the cramped and claustrophobic boot of the Volvo, that emblem of (Scandinavian) family road safety. “Who are you?” the child asks.
Unlike Scandi-noir, however, there is no elevated title sequence and the five-episode thriller is set between the north of England and the south of France. We cut to the latter rapidly, to a brightly lit balcony, from which Elisa Blix (Denise Gough), private jet flight crew and the mother of the eponymous girl, looks out at the Côte D’Azur.
