Twenty-three years on from director Danny Boyle’s unforgettable film 28 Days Later, and five years on from COVID, horror is having a spectacular renaissance. With 28 Years Later, the franchise has returned to cinema as a mouthpiece for the unique pressures Britain is facing post-pandemic and post-Brexit.
In 2020, speculative architect and director Liam Young said: “I’m sure the scripts for a new genre of virus fictions or ‘Vi-Fi’ are already in the works and perhaps that is the real opportunity of this present moment, to imagine the potential fictions and futures, and to prototype the new worlds that we all want to be a part of when the viral cloud lifts.” Well, here that vision is.
In this film, Europe has contained the “rage virus” to Britain. There are French boats on quarantine patrols, Swedish soldiers mocking remaining mainlanders and St George’s flags burning.
