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The Guardian - AU
The Guardian - AU
Entertainment
Cassie Tongue

The Spare Room review – Judy Davis is electric in thrilling adaptation of Helen Garner novel

Judy Davis wearing a black headband and long sleeve T-shirt, smiling and looking upwards and to the side as a light falls on her face from above. A grey curtain and some flowers are seen in the background
Judy Davis plays Helen in Eamon Flack’s production of The Spare Room, adapted from Helen Garner’s 2008 novel. Photograph: Brett Boardman/The Guardian

There’s real magic in the moment after the house lights go down and the stage lights go up before a play begins. There’s a concert of rustled movement that slows and stops as we find our silence and attention and tune in together.

In The Spare Room, Belvoir’s new adaptation of Helen Garner’s 2008 novel, that small ritual becomes electric. Helen – played by the indomitable Judy Davis – watches us prepare to watch her, waiting us out until we settle in. She finds the first perfect moment of silence, nods, says “Right,” and the play begins.

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