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The Conversation
The Conversation
Bran Nicol, Professor of English, University of Surrey

The Shards transforms Bret Easton Ellis’s 1980s LA nightmare into a warning for the present

Ryan Murphy, director of the controversial Netflix true-crime Monster Anthology (2022-), and Bret Easton Ellis, literary provocateur and author of American Psycho (1991), seem the perfect match. Sure enough, Murphy’s new TV adaptation of Ellis’s 2023 novel, The Shards, for Disney+ is an exhilarating mix of teen drama, serial killer nail-biter and homoerotic cat-and-mouse thriller.

The Shards features a fictionalised version of Ellis himself (a standout performance by Igby Rigney). The show details the unravelling of a close-knit group of friends during their senior year at a private LA high school in 1981. It’s triggered by the simultaneous arrival of a charismatic and mysterious newcomer, Robert Mallory (Homer Gere, son of Richard Gere), and the terror and destruction wrought by a serial killer at large in the community dubbed “the Trawler”. Are these events coincidental? Or connected in some way?

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