This epic picaresque comedy from 1965 is a head-spinning period-costume adventure of 18th-century Spain from Polish film-maker Wojciech Has. It is a surrealist film whose surrealism resides not merely in the bizarre parched landscape of the Sierra Morena mountain range with its bleached skulls, hanged bandits, crows and mysterious inns in which seductive encounters are to be had, but also simply in the bewildering juxtaposition of individual tales and anecdotes, stories which grow out of each other. The surrealist effect (and the comedy) is in the jolt from one micro-narrative to the other, and the realisation that the overall story is thwarted and undermined.
The premise is that in the Spanish town of Saragossa during the Napoleonic wars, one officer tries to arrest another, who is apparently reading an old book – but is then distracted by the fact that this book is about his own grandfather, the nobleman Alfonse Van Worden. (Later we discover that the passages about this grandfather have been added by hand, in pen-and-ink, hence Saragossa Manuscript.) Then we flash back to this preening aristocrat-soldier himself, played by prominent Polish actor Zbigniew Cybulski.
