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The Guardian - UK
The Guardian - UK
Entertainment
Mark Fisher

The Rock’n’Roll Panto Red Riding Hood review – music is the star in an Everyman institution

Paislie Reid and Damien James.
Panto pop … Paislie Reid and Damien James rock out. Photograph: Marc Brenner

We are deep into act two when we find ourselves outside the palm house in Sefton Park, where two Liver Birds in blue Lycra are sharing their wisdom. Played by Adam Keast and Ben Welch, they are all attitude and abrasive Scouse backchat.

It is not an extraordinary scene but it stands out because so far in Peter Rowe’s panto, there have been hardly any Merseyside references. Surprising, because the rock’n’roll panto is such an Everyman institution, on the go since the 1980s, you expect something with Liverpool written all the way through it. A show so placeless is odd.

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