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Jen Webb, Dean, Graduate Research, University of Canberra

The responsibilities of being: Jessica Au's precise, poetic meditation on mothers and daughters

Tokyo snowstorm, 2020. Tomohiro Ohsumi/Getty Images

Jessica Au has been appearing on the Australian literary scene for quite some time now. I first noticed her work in the noughties: short fictions published in Overland and Wet Ink, stories with well-crafted sentences and engaging characters and an aesthetic that leaned toward stillness and dissociation.

She didn’t publish much, or not much that I found, before or after her first novel, Cargo (2011), another book I would encourage people to read. I think it is fair to say she is not prolific. She has conceded that she is a “slow writer”. But the writing is worth the wait. Au’s new book, Cold Enough For Snow, has already won the inaugural Novel Prize, and been published in fifteen languages.

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