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The Guardian - UK
The Guardian - UK
Entertainment
Helen Meany

The Pull of the Stars review – Emma Donoghue adapts her Spanish flu novel for an all-female cast

Ghaliah Conroy holds the lamp while Sarah Morris reads from a book titled Practical Midwifery
Compelling warmth … Ghaliah Conroy and Sarah Morris in The Pull of the Stars at the Gate, Dublin. Photograph: Ros Kavanagh

A pandemic exposes deep social injustices in Emma Donoghue’s new play, set in Dublin during the Spanish influenza outbreak of 1918. Over three tumultuous days in a maternity hospital, staff attempt to cope with emergency births. One teenager, Mary (Ciara Byrne), has no inkling of what childbirth involves; Honor (Úna Kavanagh), a destitute, unmarried woman, is delirious; and the complaints of the middle-class Della (India Mullen) provide much of the initial comedy.

Adapting her own novel for the stage, Donoghue has crammed in multiple themes and detailed information: not only on the deadly impact of fever, but also on the political and social upheaval in the aftermath of the 1916 Rising – and the balance isn’t always successful.

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