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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

The Passion of Remembrance review – absorbing fusion of black radicalism and feminism

Self-questioning … The Passion of Remembrance.
Self-questioning … The Passion of Remembrance. Photograph: Courtesy BFI

Here is a 1986 film co-directed by radical feminist film-maker Maureen Blackwood with artist-director Isaac Julien. Their sensibilities are a fruitful match here, creating a knotty, complex, self-questioning piece of work: drama, essay movie and video art crossover. Blackwood and Julien were drawing on the black power radicalism of the 60s and the feminism of the 80s in ways that could amount to a British new wave.

In a stylised wilderness, a male and female figure confront each other ill-temperedly: the woman accusing the man of not allowing women any agency or space within the liberation movement. In a parallel realist drama, a family deals with racist abuse (often from off-duty police) and their own ideological and generational splits on the subject of injustice and empowerment, and how gay people of colour find themselves marginalised by the community from which they are hoping for support.

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