In his debut feature, Christian Einshøj tends to the hidden wounds of family by rewinding to the past. Originally from Denmark, he spent his childhood in Norway with his parents and two brothers, Frederick and Kristoffer. The relocation was supposed to be temporary. Tragedy, however, struck: Kristofferbecame ill with a terminal condition and his death cast a dark shadow over a once tightly-knit household. Einshøj’s parents were had another son, Alex, but they would never return to Denmark to live as a family again.
Through voiceover, Einshøj recalls this painful history with profound introspection, as well as humour. Grainy home videos, largely shot by Einshøj’s father, Søren, resurface, but while Søren used his camera to preserve Kristoffer’s memories before his death, Einshøj turns to film-making as a means of reconciliation. Unable to process Kristoffer’s death, Søren retreats into the numbing grind of work. Meanwhile, Einshøj has grown apart from his surviving siblings, both of whom experience periods of depression as a result of their shared trauma.
