In 2003 I was in my early 30s, working for Andrew Lloyd Webber’s company The Really Useful Group in Sydney. I don’t remember who introduced Pete and me but I’d seen several shows he’d designed and really liked his work. We immediately got on and I invited him to drop past my office to show me his portfolio.
A few weeks later he did. It was a balmy evening and after I’d looked over his work we decided to grab a beer and sit on the office stairs, where we chatted for ages. Between meeting him and him stopping by I’d unexpectedly taken a job in London, but I was genuinely interested in putting him forward for some projects so we agreed to stay in touch.
