I’ve always shot film. Over the past few years, I’ve shot nothing but Fomapan 400 black-and-white film through my beloved 1965 Leica M2.
It’s a setup I know intimately, one that’s seen countless rolls pass through its chamber, each frame a meditation in light, contrast and composition. But for a while now, quietly and without drama, I’ve been entertaining thoughts of giving it all up; of finally going digital full-time and, more specifically, investing in a dedicated monochrome camera.
