From her debut, Nobody Is Ever Missing, to 2023’s Biography of X, Catherine Lacey’s work has tested the forms and fabric of the novel with brilliant unease. In The Möbius Book, her experiment crosses the blurred border of fiction into something else. Life writing, autofiction, memoir? Whatever you call it, The Möbius Book is deeply serious and engrossingly playful, and it lavishly rewards serious, playful attention.
A Möbius strip is a length of any material joined into a loop with a half twist. It’s an uncanny shape, common and obvious, easily created and yet awkward to describe geometrically. For literary purposes, a Möbius is interesting because there’s intricate structure and constraint but no ending. It goes around again, mirrored with a twist. Lacey’s book takes this literally, the text printed from both ends, with memoir and fiction joined in the middle. Twin stories experiment with plotlessness and irresolution, while remaining aware of the way fiction attaches itself to linear plot and reverts to romance and quest. Characters find and lose love, find and lose meaning.
