Actor turned director Hafsia Herzi presents her first feature in the Cannes competition: a coming-of-age story of queer Muslim identity, with all the painful, irreconcilable imperatives that this implies, complicating the existing insoluble agonies of just getting to be an adult. It is adapted from La Petite Dernière, or The Last One, the autofictional novel by Franco-Algerian author Fatima Daas about growing up as the kid sister, the youngest of three girls, in an Algerian family in a Paris suburb with her mum, dad and siblings.
Non-professional newcomer Nadia Melliti plays Fatima, a smart kid battling with asthma who likes books, likes football, likes freestyling, likes running – and likes girls. (This last interest is secret.) As Fatima prepares to leave school and start her first year at university (while living at home, of course) she cultivates a protective deadpan manner and wears a cap: the secular-western camouflage equivalent of a head covering. She has to negotiate her way out of what appears to be an unofficial engagement with a Muslim boy into which she has drifted. His feelings, and perhaps his sense of entitlement, will be hurt. So be it.
