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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

The Little Foxes review – revival of southern American classic leaves questions unanswered

An uncanny resemblance to Bette Davis … Anne-Marie Duff in The Little Foxes at the Young Vic theatre, London.
An uncanny resemblance to Bette Davis … Anne-Marie Duff in The Little Foxes at the Young Vic theatre, London. Photograph: Johan Persson

There is no shortage of conviction in this revival of Lillian Hellman’s southern American classic about a greedy, feuding, family and the torment of a woman’s ambition within it. When one actor fainted a few minutes into the play on opening night, the cast reconvened to begin again within the hour.

But the ideas behind the production, directed by Lyndsey Turner, do not coalesce quite so well. It takes us faithfully through the story of the scheming Regina (Anne-Marie Duff) who, with her equally grasping brothers, Ben (Mark Bonnar) and Oscar (Steffan Rhodri), seeks to raise the investment for a cotton mill deal that requires the consent of her dying, and unwilling, husband, Horace (John Light).

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