First the Americans came for British period drama. Now the Brits are getting their mitts on Italy’s heritage. In 2020, the US producer Shonda Rhimes sexed-up Regency England with lusty intrigue, soapy storylines and orchestral covers of pop hits to create Netflix’s smash-hit Bridgerton. This year, British screenwriters Benji Walters and Richard Warlow (The Serpent) and director Tom Shankland (SAS Rogue Heroes) are collaborating with the streamer on a bit of pop cultural colonisation of their own.
You can see why they would want to: The Leopard – the trio’s adaptation of Giuseppe Tomasi di Lampedusa’s seminal 1860s novel, set in Sicily – is sumptuous, sensuous, emotionally tempestuous and full of nice food; all qualities our homegrown costume drama tends to lack. But this sweaty, steamy series is far more than a treat for the senses. Behind the frills and the romantic thrills – at the centre of the action is a captivating young love triangle – is a socio-historically insightful tale of an elite clan’s descent into obsolescence.
