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The Independent UK
The Independent UK
Lifestyle
Nicole Vassell

The Lazarus Project review: Paapa Essiedu makes a sweet, upbeat everyman – but can we face another pandemic storyline?

Simon Ridgway

Hands up if you don’t want to see another pandemic-related storyline ever again. If your hand’s raised, fair warning: you’ll be in for a pang of horror in the first few minutes of The Lazarus Project. On the bright side, the crisis that kicks off this plot isn’t Covid – but if the sight of masks, fevers and widespread despair turns you off, then you might be tempted to do the same to this dystopian drama. Stick with it, though, and you may find yourself drawn into a world of perfectly enjoyable, time-shifting intrigue.

For the most part, our protagonist George (Paapa Essiedu) is living a millennial dream. On 1 July 2022, he wakes up beside partner Sarah (Charly Clive) in their stylish flat, filled from floor to ceiling with plants. Causes for celebration just keep on coming: first comes a business loan approval, then comes a pregnancy announcement, and then a wintery wedding with all their friends and family in tow. It’s all smiles for now, but trouble’s coming – the spreading of the Mers-22 virus that threatens to decimate humanity. (Shudder.)

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