The Land Sings Back, a new exhibition at the Drawing Room gallery in London, is a gorgeous evocation of our rights to our lands and our symbiotic relationship with nature.
Thirteen artists with ancestral lands in south Asia, Africa and the Caribbean are subverting the role that sketching and drawing have played in conquest and colonialism. Instead, they have reimagined it as a way to reclaim indigenous knowledge for environmental justice. Drawing on archival research, soundscapes, zines, ceramics, found objects and ephemera, the work on show dissolves the boundaries and lines between various media, questioning the institutionalisation of knowledge.
The exhibition draws on the concept of ecofeminism, first coined by French writer Françoise d'Eaubonne in her 1974 book Feminism or Death. Ecofeminism maintains that patriarchy and colonialism are inherently interlinked. The subjugation of women and marginalised people, which has severed their connection to the lands and the oppression of their myths and stories, has created an imbalance between nature and humans.
