It’s clear, just from looking at a film like Weapons, that it was the product of an exacting vision. So assured and specific was Cregger’s narrative, even in script form, that his future collaborators forgot they were reading a script at all.
“I was completely enamored with the script from the first few pages,” Leo Satkovich, head makeup artist for Weapons, tells Inverse. “I completely lost sight of the fact that I was reading it in preparation for an interview, and I read it almost as a book.”
