Few directors currently working merit the title of ‘cult hero’ more than Ben Wheatley. Over a 15-year-plus career, the British film-maker has dabbled in just about every cinematic genre and style imaginable: psychedelic horror (A Field in England, In the Earth), grimy video nasty (Kill List), stylish, gun-toting thrillers (Free Fire), murderous Mike Leigh homages (Down Terrace, Sightseers), literary adaptations (Rebecca, High-Rise), and even a whopping great studio monster movie (Meg 2: The Trench).
Wheatley’s latest film further cements that cult status. Bulk is a defiantly DIY sci-fi-noir-paranoid-thriller hybrid, starring Sam Riley as an investigative journo tasked with rescuing a scientist from his own malfunctioning multi-dimensional creation. With its handwritten title cards, overdubbed dialogue, sticky-back-plastic special effects and general vibe of formal experimentation, Bulk exists a world away from most modern film-making. Even it’s delivery method feels far from the churn of the mainstream: instead of a standard release, the film is in the middle of a tour of independent cinemas across the UK and Ireland – tonight in Liverpool, tomorrow Lewes, with Dublin and Cork on the horizon (you can seek out your nearest screening here).
