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The Guardian - UK
The Guardian - UK
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Editorial

The Guardian view on 1980s counterculture: back to the future

A gallery of front covers of the Face magazine in the exhibition at London’s National Portrait Gallery.
A gallery of front covers of the Face magazine in the exhibition at London’s National Portrait Gallery. Photograph: Guy Bell/Rex/Shutterstock

In 1980, 19-year-old Leigh Bowery arrived in London from the Melbourne suburb of Sunshine. He found a bedsit and a job in Burger King, while waiting to take on the capital’s club and fashion scenes. That same year, the former New Musical Express and Smash Hits editor Nick Logan launched the magazine the Face on a shoestring from a basement on Carnaby Street. Bowery became one of the most influential avant garde figures of the era, the Face the “style bible” for a generation.

Now these countercultural icons are being celebrated in shows at Tate Modern and the National Portrait Gallery. It doesn’t get more mainstream. Over at Tate Britain, meanwhile, there is a sombre, largely black and white photographic retrospective of the decade. Outlaws, focusing on Bowery and his circle, is currently at London’s Fashion and Textile Museum; later this year the Design Museum will showcase the pop culture magazine Blitz, also founded in 1980. The 80s are having a moment.

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