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Alexa Beyer

The gay songwriters who secretly ruled the country charts are ready for the spotlight

Dianne Davidson had a major Nashville record deal starting when she was a teenager in 1970. With her bellowing voice, gutting, emotive lyrics, and folksy sensibility, Davidson didn’t have a problem getting country music’s doors to open wide for her — at first. Her career took off soon after moving to the country music industry hub from West Tennessee at seventeen to make music. Her songs were heavy on the raw sincerity and the folk-acoustic instrumentals that were popular in the ‘70s, combined with a gut-wrenching drift that was all her own. It was only natural to her to be real about everything: the industry was rewarding it, it seemed. Davidson was getting radio play, interviews, and glowing reviews for the four years that followed her debut. But buried in track eight of her highly anticipated fourth album was “Song About Georgia.” It was about her first love, another woman.

“She was going on down to Columbus/I suppose to find her soul/And I yelled at her, but she didn’t hear,/‘Hey babe I still love you so.’”

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