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The Guardian - UK
The Guardian - UK
Entertainment
Leslie Felperin

The Fires review – volcanoes and passions erupt in Iceland disaster-romance

Two people with disheveled hair and dusty clothing ride a scooter in a smoky setting
Genuine chemistry … Vigdís Hrefna Pálsdóttir and Pilou Asbaek in The Fires. Photograph: Signature Entertainment

This scientifically plausible, CGI-tastic disaster film will either do wonders for Iceland’s tourist industry or destroy it completely. Vigdís Hrefna Pálsdóttir stars as a volcanologist called Anna, who is descended from a short line of volcanologists (just her dad). When mini volcanos start erupting and earthquakes get more frequent, Anna begins to suspect the subterranean systems everyone thought were separate might all be fed from one big magma lake deep underground. Great gaseous clouds of geologic mumbo jumbo get spewed into the dialogue, backed up with sombre graphs on computer screens and people drawing stuff on blackboards. But the gist is that Reykjavik is in danger.

Of course, the powers that be are sceptical about Anna’s theories and don’t want to cut off the island’s supply of sweet, sweet tourist money. Pretty soon, though, the signs are too numerous to ignore. And a big eruption either could last a day or two, or as Anna points out, for 30 years, like a volcano that erupted in the 9th century. (Good thing Icelandic history goes back that far.)

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