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The Guardian - UK
The Guardian - UK
Entertainment
Phil Hoad

The Films of Patrick Wang review – impressive work from a tenacious truth-finder

(from left) Patrick Wang and Sebastian Banes in In the Family.
‘Don’t head straight for them’ … (from left) Patrick Wang and Sebastian Banes in In the Family. Photograph: In the Family

Fittingly for self-distributed works by a true American independent, Patrick Wang’s four features to date stand tall with a graceful and tenacious outsiderdom. Their handmade quality and occasional rough edges may have made them a hard sell, but this seems unfair. There’s a collectivist spirit, moral conviction and self-taught experimentalism at work here – the latter given increasing room to express itself as Wang has gradually untethered himself from realism – that demands attention.

Especially impressive is Wang’s 2011 debut In the Family (****) – starring Wang himself as Joey Williams, a Texan interior designer whose partner Cody (Trevor St John) is killed in a car accident. Cody’s will, written long before their relationship, states that his sister Eileen (Kelly McAndrew) should act as guardian to Chip (a beautifully instinctive performance by Sebastian Banes), his six-year-old son by his previous heterosexual marriage. This leaves the devastated Joey, himself a foster kid, flailing for legal options to preserve his relationship with Chip.

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