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The Guardian - UK
The Guardian - UK
Entertainment
Chris Wiegand

The Enormous Crocodile review – Roald Dahl’s dastardly reptile stalks the stage

(from left) Robyn Sinclair, Lawrence Hodgson-Mullings and Elliotte Williams-N'Dure in The Enormous Crocodile.
Off to a snappy start … (from left) Robyn Sinclair, Lawrence Hodgson-Mullings and Elliotte Williams-N'Dure in The Enormous Crocodile. Photograph: Manuel Harlan

The ravenous, toothy croc in Roald Dahl and Quentin Blake’s 1978 picture book sparingly uses singsong phrases as he endeavours to procure a “child for lunch” whose “bones go crunch”. This musical version for over-fours finds the joy in abundant rhyme as two frogs share a log along the Nile, home of an “awful reptile”.

Lyricist Suhayla El-Bushra and composer Ahmed Abdullahi Gallab’s songs get off to a snappy start while Jessica Hung Han Yun’s lighting and Fly Davis’s set create a dense jungle that should complement Regent’s Park Open Air theatre where this show runs next summer. One inspired early scene finds a row of crocodiles at a dentist’s run by birds who use their beaks to extract the grisly bits of dinner between their clients’ gnashers, bringing to mind the leftovers lodged in Mr Twit’s beard.

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