
Germany was a beast unto its own in the mid-80s. The Brits may have invented heavy metal and the Americans turned it into a global commodity, but in Germany, metal was a way of life for millions of head-bangers, trained in the fine art of thrash by three specific bands – Kreator, Sodom and Destruction. By the mid-80s, the members of this unholy trinity were competing with each other to play the fastest and angriest, a competition given an early kickstart by Kreator’s debut album, Endless Pain, in 1985. Unfeasibly fast and amusingly lo-fi, the album promised much for the future – a promise which frontman and primary songwriter Mille Petrozza was determined to fulfil on his band’s next album.
