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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

The Devil Wears Prada review – prosecco o’clock musical is old hat

Georgie Buckland (Andy) and cast in The Devil Wears Prada.
A new theatrical subgenre? … Georgie Buckland (Andy) and cast in The Devil Wears Prada. Photograph: Matt Crockett

‘Go big or go home” seems to be the guiding principle for this musical adaptation of the hit book and film about an aspiring reporter’s foray into the highly strung world of fashion journalism. The sound is massive, with disco beats pumping and Elton John’s balladic piano-rock blaring. The costumes dazzle. The runway models sashay from all directions, while the lights blaze red, blue and white for Paris fashion week.

It’s big all right, but perhaps it should have gone home because what is this, exactly? A prosecco o’clock musical, briskly directed and choreographed by Jerry Mitchell, that replicates the 2006 film starring Meryl Streep and Anne Hathaway to within an inch of its haute couture-clad life, but without capturing its icy heart.

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