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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

The Darkest Part of the Night review – a powerful portrayal of autism and prejudice

Lee Phillips and Nadia Williams in The Darkest Part of the Night.
Keeping everything afloat … Lee Phillips as 11-year-old Dwight and Nadia Williams as his mother in The Darkest Part of the Night. Photograph: Tristram Kenton/The Guardian

This drama about family, race and autism opens in a whirl of disorientation. A character clutches a handbag and won’t let go, another tries to prise it away in anger and a girl runs on to the stage then disappears again. Scenes change quickly and a large circular floor, with vinyl record design by Jean Chan, revolves at the centre to snatches of music.

The discombobulations effectively take us into the life and mind of Dwight (Lee Phillips), whose autism is not diagnosed for some of his childhood. Phillips switches between playing 11-year-old Dwight, growing up with his Black British family in Leeds, to a grown man in the present day contending with his jumble of memories.

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